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A letter to a stranger sitting on a bench

The audience was invited to sit on a handmade half circular wood and metal bench and read a letter addressed to them. The intimate connection between the artist, the viewer and the object was established though an honest and immediate

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A letter to a stranger sitting on a bench

The audience was invited to sit on a handmade half circular wood and metal bench and read a letter addressed to them. The intimate connection between the artist, the viewer and the object was established though an honest and immediate

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Laurieston Walk

Rich urban soundscape of this starkly ‘visual’ audio work draws the viewer in to follow a narrator’s voice observing people and architecture while walking the streets of the city. Tension between the alienated tone of the voice and the narrator’s

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Laurieston Walk

Rich urban soundscape of this starkly ‘visual’ audio work draws the viewer in to follow a narrator’s voice observing people and architecture while walking the streets of the city. Tension between the alienated tone of the voice and the narrator’s

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If I could…

For three weeks in August people were invited to finish the sentence ‘If I could I would…‘ on a blackboard panel of the Art Shed located in the grounds of St.Johns where Art Shed Collective hosted a curated programme of

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If I could…

For three weeks in August people were invited to finish the sentence ‘If I could I would…‘ on a blackboard panel of the Art Shed located in the grounds of St.Johns where Art Shed Collective hosted a curated programme of

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I am walking again. I might be walking the streets of another city soon

Due to the fire at the Glasgow School of Art in May 2014, there was no degree show but, instead, Fine Art Showcase exhibition took place in McLellan galleries. At the time I was working on an audio installation to

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I am walking again. I might be walking the streets of another city soon

Due to the fire at the Glasgow School of Art in May 2014, there was no degree show but, instead, Fine Art Showcase exhibition took place in McLellan galleries. At the time I was working on an audio installation to

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it looks like a place that does not exist

Finding the ways of experiencing the place through developing relationships with local people was at the core of my public art project in Easterhouse. This publication is a visual portrait of the people and the area. Excerpts from the publication

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it looks like a place that does not exist

Finding the ways of experiencing the place through developing relationships with local people was at the core of my public art project in Easterhouse. This publication is a visual portrait of the people and the area. Excerpts from the publication

that’s in my heart and I want to go back there

The idea for this public art project was inspired by the complex history of Easterhouse and people’s experience of the area. I met with local people and asked them to tell me about a place that is significant to them.

that’s in my heart and I want to go back there

The idea for this public art project was inspired by the complex history of Easterhouse and people’s experience of the area. I met with local people and asked them to tell me about a place that is significant to them.

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Thoughts

I walked the length of Maryhill Road in Glasgow and asked people one question “What would you do if you knew you would definitely succeed?” Text fragments from the responses were made into laser-etched wooden signs displayed on a vertical

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Thoughts

I walked the length of Maryhill Road in Glasgow and asked people one question “What would you do if you knew you would definitely succeed?” Text fragments from the responses were made into laser-etched wooden signs displayed on a vertical